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Jerrold Shiroma: From Piecebook

“Graffiti is all the same line, the same feeling, even though different people use it for a different purpose. It’s to be seen by the people. Graffiti is worked out on the street. All this stuff is on the street.” Read More …

Sesshu Foster: Notes on Good (“New & Improved!”) Poetry

Several people asked whether their poems were “good.”
Is your life good? What do you do with it, and how do you feel about that?
Is your breathing good, is it working for you? When you do it, it fulfills its functions, doesn’t it? I’d suggest that poems serve you, too. Like breathing, even if you forget about paying attention to its regulation and effects. Read More …

Sesshu Foster and Arturo Romo: Fly the East L.A. Dirigible Transport Lines!

[Editors’ note: We are pleased to include this collaborative work by Sesshu Foster and Arturo Romo, “Shipping Manifesto: Fly the East L.A. Dirigible Transport Lines!” Please click on the image below for the PDF.] — Sesshu Foster has taught in East L.A. for 25 years. He’s also taught writing at the University of Iowa, the Read More …

Tina Bartolome: On Becoming an Ex-Writer: A Personal Essay (Part 2)

[Editors’ Note: Part 1 of Tina Bartolome’s “On Becoming an Ex-Writer: A Personal Essay,” can be found here. Below is part 2.] At one of the Tuesday night UZN meetings, one of the breakdancers brought a young woman to the meeting he had met while playing his boombox on the sidewalk. G was visiting from Read More …

casino mien phi 2019Tina Bartolome: On Becoming an Ex-Writer: A Personal Essay (Part 1)

[Editors’ Note: We will be featuring Tina Bartolome’s essay, “On Becoming an Ex-Writer,” in two parts. Below is part 1.] I was eighteen when it happened. Until then, I wasn’t unlike many teenagers who had relied on journal writing as my main floatation device through the turbulent ocean of adolescence. I knew that writing had Read More …